[Muse] "Black Holes & Revelations"

[korgan34]

Tampoco estaría mal que innovaran un poco, no sé, que tocaran de vez en cuando alguna cara b, Fury, Eternally Missed, o A Crying Shame

En granada en el 2003 tocaron Fury... me acuerdo perfectamente, el momentazo

[Legolas-I]

Yo al menos pude escucharlo graciasl al bokeron ^^ (mil gracias :** xD) pk al dia siguiente en Vistalegre muchos recordaran escuchar Fury pero... en la prueba de sonido y luego no la tocaron en directo ¬¬ ya les valió a los cabrones, se libraron pk pude hablar con ellos que si no.. x_D

Por cierto, el concierto no es ni regulero, se escucha de pena! :S a ver si van saliendo coniertos con buen sonido que este hasta da dolor de cabeza, eso si, se agradece el enlace y escuchar aunk sea asi como van a sonar en directo las canciones ^^

[molul]

Bueno, llevo sin parar de escucharlo desde el jueves, así que ya toca punto de vista más posicionado. No será una obra maestra, ya que para mí sobran las 7, 8 y 9, que me parecen muy previsibles

Supongo (ESPERO) que te refieres a las 6, 7 y 8 (invincible, assasin y exo politics) porque no creo que el temón de City of delusion te parezca previsible, vamos.. imposible xD

Por cierto, tienes razón con lo de keane, aunque eso no significa nada, claro ^^

Suponías bien. Eran la 6, 7 y 8 XD

[Juanchu]

Portadas fresquitas, la del DVD single de SMBH y la de vinilo del mismo:





La del DVD me mola bastante mas que las otras dos

[Dagger]

La del DVD me mola bastante mas que las otras dos

Ya te digo, macho. ¿Se sabe lo que trae eso? Tengo un cacao con las ediciones... He visto por ahí un tracklist de un single de SMBH con SMBH y Knights en directo de caras b.
Ah, y he leido que va a salir un videoclip alternativo de SBMH, para móviles, con la versión "cruda" del tema, como el directo. Con imágenes del estudio y tal. Puede estar guapo.

Korgan, afortunado tú, disfrutar "Fury" en directo. :_________)

[Juanchu]

Lo de KoC en directo era un fake de itunes, mirate aqui lo que lleva cada version:

http://www.microcuts.net/uk/discography/singles/super_massive_black_hole.php

Y si alguien sabe donde los podria comprar, que avise

[Dagger]

Juju

Queremos "Crying Shame" YA.

[Bellamy_tracatrá!!]

madre mia, kiero kiero kierooooooooooo... dato de poco interes...jeje: Acabo de llegar de suspender un nuevo examen, la vuelta la he hecho en el bus y...madre mia he llegao cn la motivacion a tope, me pegao un invincible y un exo politics, kiero más!!más muse please!disco en estereo YA!!

[Dagger]

Artículo/entrevista muy interesante en The Guardian:
http://arts.guardian.co.uk/filmandmusic/story/0,,1798032,00.html

Lo mejor:

-El uso, por primera vez, de la etiqueta "flamenco metal". x'D Que no sea la última, plis.

-Esta frase de Bellamy: "If you're sitting in an office with music on in the background, listening to the Strokes and then Muse come on, we probably sound pretty silly. But if you're listening to it on headphones on a plane going through severe turbulence, it would sound completely different. It's all contextual." xd

-En la nueva gira podrían llevar un piano con ruedas... El cachondeo puede ser mortal.

-Esta promesa: He has vague plans for Muse to write and perform an extended classical-inspired instrumental piece. :_______________________)


Edit: Una entrevista al bueno de Chris. La pego porque menciona a los Pumpkins (y es de un foro y no hay link que valga):

Already one of the biggest bands in the world, new album 'Black Holes And Revelations' is set to send Muse higher into hyperspace. It's not going to their heads though - they'll be rocking out with YOU ahead of their headline sets at Reading and Leeds...

Just when you think you've got Muse boxed as thunderous, operatic prog-rock planet reachers, they come back down to earth for a brief day trip and give us the slippery as sex single 'Super Massive Blackhole', a tune belonging more to Prince's back catalogue than alongside the rumbling anthems from the last album, 'Absolution'.

However, drummer Chris Wolstenholme claims there's no need for hardcore fans to doubt Muse's soaring rock crudentials and says their long-awaited fourth studio longplayer, 'Black Holes And Revelations', will clear up any uncertainty. (Read our exclusive review of the record HERE.)

Headlining the Carling Weekend: Reading and Leeds festivals this summer, the two mega sets will herald the band's biggest shows since Glastonbury 2004, when Chris, Matt and Dom stormed the place despite a terrifying case of last minute nerves born from the fear that "we weren't big enough for it". There's no question of that now. But you get the feeling that Muse will always be grounded, despite their sound soaring somewhere above us in outerspace. Read on and you'll find out just why...

Virtual Festivals: So, Super Massive Blackhole. Was it written about the Reading toilets?
Chris Wolstenholme: "The Reading toilets? Ha ha! No, I don’t think so but I’m not exactly sure what it’s written about. Matt writes the lyrics and I never really know what he’s on about. I’m pretty sure it wasn’t written about the Reading toilets, but it does bear some kind of relevance I guess."

VF: The new album’s out soon. Everyone's obviously very excited about getting their mitts on it. But how do you think it will transfer live?
CW: "So far it’s been good. We’ve only really done one proper show since finishing the album and there are a fair few songs on there that we thought would be quite difficult to perform live, but in fact they’ve been ok. We did the Radio 1 Big Weekend and the reaction from the crowd was great. We did about five new tracks and there are still about four or five that we haven’t done live anywhere. But we’ve got a few festivals coming up over the next few weeks so we’ll see. It’s always difficult to tell; you spend so long rehearsing all this stuff but it’s never until you’re on the stage playing it that you really know if it’s any good or not."

VF: Are there any tracks that really stand out live?
CW: "So far the last track from the album, ‘Knights Of Cydonia’, has been going down a storm. I think the first track ‘Take A Bow’ will be good live as well, but it’ll also be one of the trickiest to pull off because there’s loads going on in terms of sound outside just the three of us. We haven’t tried it live yet but once it’s put together it should really work. The thing is, certain songs you present slightly differently live but I think 'Take A Bow' is one of those songs that really requires every inch of energy that it has on the album."

VF: Will 'Super Massive Blackhole' have people boogying and moon-walking rather than rocking out?
CW: "Yeah, that would be an amazing sight! No, I think there definitely were a fair few people out there, maybe the more hardcore fans, who were quite concerned when they first heard that track. But we’ve played it live a few times now and it takes on a whole new feel. If you strip that guitar track down to its most minimal form it could almost be Rage Against The Machine. It’s that kind of riff. But the way it is on the album, with those electronic jams, gives it that very r’n’b feel. We play it slightly different live and we quickly realised that it does actually rock."

VF: Headlining Glastonbury 2004 was probably your defining live moment. How does the prospect of Reading and Leeds compare?
CW: "I think Reading’s always been known as much more of a rock festival and now Leeds obviously has that reputation too. I never actually went to Glastonbury as a paying customer but it’s something you see on the television all the time and it’s seen as such a big thing. But Reading’s the one I went to a few times as a kid and it’s one of those places where I saw so many bands that I absolutely loved playing and I’d sit there thinking, ‘ahh, one day’. We played the main stage there in 2002, just before Foo Fighters, but to be headlining just feels very strange, especially when you think you’re following in the footsteps of bands like Rage Against The Machine and Smashing Pumpkins, all those bands that we’ve absolutely loved. It’s also great to play on your own soil. It’s always like coming home. Even if we’ve spent a few weeks in Europe, playing in Scotland feels like a homecoming. It’s going to be amazing to be up there… Or it could be tragic. We might get on and have the worst gig of our lives!"

VF: Does the fact that it’s two festivals rather than one mega set dilute it in any way?
CW: "One thing we’ve learnt over the last few years is not to hype up any one festival in particular. You spend your whole summer playing festivals all over Europe but because it’s Glastonbury or Reading then suddenly it becomes a big deal and that becomes the festival of the whole summer. It’s very easy to get yourself in a position where nothing else is important and that’s not fair really. What you have to do is sit back and look at all the festivals and say ‘this festival in France is just as important to the fans there as Glastonbury is to people here’ so you’ve got to go into all of them with the same attitude. One year we headlined one of the tents at Reading (2000) and all summer we hyped it up in ourselves, so much so that we ended up playing an atrocious gig and it was probably the worst festival experience we had all that year. Something strange happened, I’m not sure what."

VF: What bands you looking forward to checking out at Reading and Leeds this year?
CW: "Loads! I think the day we’re playing probably has the best lineup. Arctic Monkeys and The Streets are playing before us. Yeah Yeah Yeahs were supposed to be playing before us but I think they’ve swapped days now with Feeder. Dirty Pretty Things. I think I’ll go on the Friday as well as see what’s going on that day. But from what I’ve seen it’s a great lineup."

VF: So you won’t be spending the weekend getting pissed backstage like certain others?
CW: "No, you can’t hear any music from the side of stage at Reading, all you hear is a really annoying and indecipherable bass and drum noise that’s no good to anyone. I don’t see the point in going to a festival and hanging around backstage all the time so it’s good to get out and about and stuck in, especially with the quality of bands on show this year. Where would you get to see all that lot in one place other than at Reading and Leeds? I'll be out there watching the bands definitely."

VF: What’s been your best festival moment?
CW: "It’s got to be headlining Glastonbury in 2004. That was definitely a highlight. We were extremely nervous before that gig, we really felt that we weren’t big enough for it. We played on the last day, it was really muddy and we saw a whole bunch of bands playing before us and there was this real kind of jaded atmosphere. I could understand it because if I’d been there in mud for three days I’d probably have been a bit pissed off. So for an hour or so before the show we really had the fear. We were thinking, ‘Why are we doing this? We’ve made a huge mistake. This is the end!’ And then suddenly we were on stage and from the very first moment it was absolutely electric, incredible, and I think it turned out to be one of the best sets we’ve ever played."

VF: How about a worst moment?
CW: "Probably Reading 2000 performance wise. As a punter it would definitely be diarrhoea at Reading 1995. Easily. I don’t want to go too far into it obviously, but avoid dodgy food at all costs! Any kind of stomach condition at a festival doesn’t really work."

VF: What’s the one thing you’d definitely take to a festival?
CW: "Probably my laptop. What if they wouldn’t let me plug it in? I’d charge it before I came. Why a laptop? I dunno, just for stuff, probably to make some music."

VF: Any festival survival tips?
CW: "I’ve not really been as a punter for a while now but I’ve got this mate who, whenever he goes to a festival, takes these pills that stop you getting the shits. They basically block you up which means you don’t have to spend longer than a few seconds at any one time in the toilets. You don’t need to take a dump for about four days and he swears by them so whenever he goes to a festival he doesn’t have to go and shit in a hole somewhere."

VF: You were voted Best Live Act in the 2004 UK Festival Awards. Must be nice having thousands of people saying you were the best band of the summer?
CW: "Yeah definitely, we were thrilled by that. It was great to win an award that says you’re good at festivals. Festivals are very hit and miss because they’re not like your own gig where you get to sound check. Also, you don’t get to take that much of your own stuff in there, so you’re more in a situation where you just get up and play and so far I think we’ve managed to do reasonably well. We haven’t had any really tragic festivals yet. I think the worst one was when I broke my wrist just before V 2004 and that was a bit of a downer. But yeah, it’s always great to be appreciated as a good live band. I think the live side to this band has always been really important, even from very early days, and it’s always great getting that respect from the people that matter."

VF: Finally, is there any truth in the rumour that Matt Bellamy wears four inch heels on stage?
CW: "Ha ha, absolutely none whatsoever! Four inches? I think he’d be falling all over the stage. Maybe I’ll ask him to though, it would be funny to watch."

[Dagger]

[Legolas-I]

Dagger, me he tomado la confianza de reducir algo la imagen, que si no para leer la entrevista se hace algo tedioso tener que estar todo el rato moviendo la barra de scroll para los lados xD

Muy interesante la entrevista hasta donde he leido, luego cuando me la relea ya dare una opinion y eso, pero la verdad que debe imprsionar mucho que sólo 5 años despues de sacar tu primer disco estés tocando ante 75mil personas, debe ser realmente acojonante O_o (esos comentarios antes del concierto de "no somos suficientemente grandes para esto...") see salen :_) ademas adorando a los Smashing juju si esk se nota donde hay calité XD

[Dagger]

Dagger, me he tomado la confianza de reducir algo la imagen, que si no para leer la entrevista se hace algo tedioso tener que estar todo el rato moviendo la barra de scroll para los lados xD

Se sale, Lego, es que lo puse anoche y estaba high in the sky. xD
Con el plano más abierto mola más la portada. ^^



Edit:
De una entrevista a Chris:

How do you feel about the album leaking last week?
“It’s not really that big a problem; record companies make a big deal about ‘stamping it out’, but it’s a big help to artists – we have certainly noticed an increase in our fanbase since the internet has been used for music distribution. Especially among people who, like us, grew up in small, quiet areas of the UK and don’t have easy access to good record shops. It’s just a shame the leak was so low quality – we heard something about it being a mono recording, which obviously wont showcase all the hard work we’ve put in in the studio.”

Tremendo que tengan más madurez que grupos como Metallica.
La entrevista completa: http://www.drownedinsound.com/content/view/916414

[Dagger]

http://www.yousendit.com/transfer.php?action=download&ufid=EA8DD36B3163EFA8 -> "Crying Shame", cara b de "Supermassive Black Hole".

Me encanta como la han dejado, tampoco era de mis favoritas. ¡Temazo veraniego musero palasaquita!


Too late
Yeah baby it's too late
And time has made the spell abate
Now it's time to desecrate

But we had a dream
And it was meant to be
And we were kissing gods
Against all the odds

Now it's crying shame
And it's crying shame
We don't know who to blame
It'll never be the same
And it's crying shame

Too much
We demolish too much
And we've really fucked it up
Yeah baby you lost your touch

You had a dream
And it was meant to be
When you were kissing gods
Against all the odds

Now it's crying shame
And it's crying shame
You don't know who to blame
It'll never be the same
And it's crying shame

And it's crying shame



http://www.youtube.com/watch?v=nSLeVXDt7cQ -> SMBH en una televisión, no playback, de ayer. se sal, en directo se sal.

[con science111]

Alguienme traduce la parte q ha sacado dagger de chris???

[MaDNe55]

TEMAZO

pero...

no puedo dejar de encontrarle un parecido en el bridge a la caca de with arms wide open de creed