[Muse] "Black Holes & Revelations"

[Juanchu]

Yo estoy flipando, pero tengo que aguantar como sea hasta el 3 de Julio sin que me spoileen mucho... :_\

Aqui os dejo el video que retransmitieron por TV, con SMBH, Bliss,  Sunburn y TIRO

http://beta.yousendit.com/transfer.php?action=download&ufid=C77919BB2D4D4431

Por cierto, han cambiado un poco Sunburn, a ver si tambien maduran en los directos al estilo SP y Machina  

[exprimidora]

Juanchu .....  

[Dagger]

http://teawithtufty.blogspot.com/

De aquí os podeis bajar el concierto entero en mp3. Es otra grabación, así que aquí sí que se escucha la intro de "Starlight". Aún mejori. :__D

[MaDMaX]

Oh baby dont you know I suffer?
Oh baby can you hear me moan?
You caught me under false pretenses
How long before you let me go?

You set my soul alight
You set my soul alight

(You set my soul alight)
Glaciers melting in the dead of night
And the superstars sucked into the supermassive

(You set my soul alight)
Glaciers melting in the dead of night
And the superstars sucked into the 'supermassive'

I thought I was a fool for no-one
Oh baby I'm a fool for you
You're the queen of the superficial
And how long before you tell the truth

You set my soul alight
You set my soul alight

(You set my soul alight)
Glaciers melting in the dead of night
And the superstars sucked into the supermassive

(You set my soul alight)
Glaciers melting in the dead of night
And the superstars sucked into the 'supermassive'

Supermassive black hole
Supermassive black hole
Supermassive black hole

Glaciers melting in the dead of night
And the superstars sucked into the supermassive

Glaciers melting in the dead of night
And the superstars sucked into the supermassive

(You set my soul alight)
Glaciers melting in the dead of night
And the superstars sucked into the supermassive

(You set my soul alight)
Glaciers melting in the dead of night
And the superstars sucked into the supermassive

Supermassive black hole
Supermassive black hole
Supermassive black hole



No comments (curraisima) xD

Menos mal que la cancion en directo gana un poco, pq un artista se supone que debe ir mejorando con los discos, no ir como los cangrejos ^^

[Dagger]

Jaja
Pocas letras has leido tú de Muse, cuñao. Las tienen muuucho peores. x) De todas formas, como diría el Maynard, "try and read between the lines".

Aquí suelto las otras dos nuevas:


Starlight

Far away
This ship has taken me far away
Far away from the memories
Of the people who care if I live or die

Starlight
I will be chasing you starlight
Until the end of my life
I dont know if its worth it anymore

And hold me in your arms
I just wanted to hold you in my arms

Starlight
You electrify my life
Let's conspire to re-ignite
all the souls that were
dying just to feel alive

I'll never let you go
if you promise not to fade away
Never fade away

Our hopes and expectations
Black holes and revelations
Our hopes and expectations
Black holes and revelations

And hold me in your arms
I just wanted to hold you in my arms

Far away
This ship has taken me far away
Far away from the memories
Of the people who care if I live or die

I'll never let you go
if you promise not to fade away
Never fade away

Our hopes and expectations
Black holes and revelations
Our hopes and expectations
Black holes and revelations

And hold me in your arms
I just wanted to hold you in my arms


Knights of Cydonia

I'll show you the ¿?
For the virgin that still breathes
I'll show you the ¿?
For the sleep on the job

And how can we live
When fools can be kings
Don't waste your time
Or time will waste you

No one's going to take me alive
Time has come to make things right
You and I must fight for our rights
You and I must fight to Survive

No one's going to take me alive
Time has come to make things right
You and I must fight for our rights
You and I must fight to survive

No one's going to take me alive
Time has come to make things right
You and I must fight for our rights
You and I must fight to survive

[korgan34]

Me agustado mucho las canciones nuevas, esto promete , pero sobre todo me a llamado mucho la atencion el final que se marca bellamy con bliss, soberbio.... xD

[Dagger]

Me agustado mucho las canciones nuevas, esto promete , pero sobre todo me a llamado mucho la atencion el final que se marca bellamy con bliss, soberbio.... xD

Están exultantes. ¡Y la guitarrita esa nueva con la pantalla táctil promete, y mucho! xd

[MaDMaX]

Jaja
Pocas letras has leido tú de Muse, cuñao. Las tienen muuucho peores. x) De todas formas, como diría el Maynard, "try and read between the lines".

En lineas generales, canciones menos curradas las tiene contadas (y eso sin contar con que un artista se supone que tiene que ir mejorando [aunque cada vez veo que hay mas gente a la que le da lo mismo]), eso segurisssisismo. Demasiado pop escuchas tu me parece a mi (y mala memoria tienes para recordar la discografia de muse)

[elka]

Pues a pesar del shock inicial que me causó 'Supermassive Black Hole', estoy segura que el disco no me defraudará y que no tendrá nada que envidiar a los anteriores. Después del directo este que habéis dejado (mil gracias!) estoy aún más impaciente por tenerlo en mis manos.  

[Dagger]

Jaja
Pocas letras has leido tú de Muse, cuñao. Las tienen muuucho peores. x) De todas formas, como diría el Maynard, "try and read between the lines".

En lineas generales, canciones menos curradas las tiene contadas (y eso sin contar con que un artista se supone que tiene que ir mejorando [aunque cada vez veo que hay mas gente a la que le da lo mismo]), eso segurisssisismo. Demasiado pop escuchas tu me parece a mi (y mala memoria tienes para recordar la discografia de muse)

xD Bueno, va, me uno a la corriente de negatividad un rato, que no se diga: La verdad es que lo que no me convence de SMBH es su posición en el disco. Estoy seguro de que "Take a Bow" va a ser un pelotazo, y ya soy el esclavo total de "Starlight". Pero que "SMBH" sea la tercera pista... No sé, no lo veo. Al principio del disco tiene que haber artillería pesada (no me refiero a tralla), y este tema es para dejarlo en el octavo o noveno corte. Sí, una parida genial, pero que ya tiene su justo premio siendo primer single.
No sé, espero que el álbum no se resienta. Al menos ya sé que termina del carajo, así que ya por ahí me tiene ganao. xd

[korgan34]

Por cierto escuchando starlight varias veces, me a recordado muchisimo, en varias partes de la cancion al " all because of you days" de los echo & the bunnymen, tela vaya xD

[Dagger]

Nueva crítica, más exhaustiva si cabe. Ahora sí que más o menos se entiende como va a sonar el álbum:

'Take A Bow'
Muse aren't starting things with a bang, or even a steady march. Instead they've plugged into an old Spectrum ZX and have gone retro computer-pop. Things all go a bit Queen, the entire universe seems to explode, and the lyrics get broody. "You'll burn in hell for your sins", apparently. Bloody hell!

'Starlight'
Funked up with handclaps, you'd be forgiven for choking on your digestive when we tell you that 'Starlight's hook line reminds us a bit of Coldplay. It's certainly not MOR, however; guitars come in, the wiggly beeps of 'Origin Of Symmetry' make a welcome return. It's bleedin' massive.

'Supermassive Black Hole'
Is this Millionaire? Muse turn space funk in their lead single. Already tearing up the airwaves, it sounds even more like the pure pop genius it undoubtedly is within the confines of the album. Hardcore fans scared off by the single take note: it'll all make sense when you hear it in context.

'Map Of The Problematique'
DIY is at war. Half of us think 'Map Of The Problematique' should be the new theme music to The Bill, the other half thinks it's The Clothes Show. Electro bass mixes with piano, layered harmonies and something close to Eurotrance to make something that, on first listen, is either madness or genius. The last ten seconds, however, could well be the best thing Muse have ever done. Honestly.

'Soldier's Poem'
The first quiet one proper, Matt goes crooner. Stripped down to some Twenties/Thirties style vibe, complete with ultrasonic, unnerving backing vocals, 'Soldier's Poem' probably wears a smoking jacket and scares small children at night. Genuinely haunting.

'Invincible'
If we said Bellamy had written a song based upon the last ten minutes of Robin Hood, Prince Of Thieves, you'd tell us we've gone mad. Our first thought? Will there be bagpipes. Seriously. There aren't, but we wouldn't have been surprised. An ethereal march and the odd floaty harmony sound like the myst clearing at the end of the battle that ends the world. We're talking epic here. There's chunky bits, lyrics that could be a paranoid Westlife if we didn't know better ("Together we're invincible"), and a bass line that sounds like 'Time Is Running Out' on a sugar rush at times. The fact it actually works is more remarkable than the lot.

'Assassin'
Knight Rider. It sounds like bloody Knight Rider, or at least for the first ten seconds. Then it all goes metal; massive riffs, harmonies that sound like Queen and a whole chorus of vocals combine to sound like Metallica going to the opera.

'Exo-Politics'
Remember the Franz Ferdinand comments? We'd assume this is what they're on about. Funked up, fuzzed out guitars pull out one of those arch art-rock riffs that have Kapranos all over them, albeit if he was covering 'On A Rope'. If it wasn't for the rubbish title, we'd say this was a nailed on single, but then it's not like that will stop Muse.

'City Of Delusion'
Spanish guitars make their first appearence, turn electric, are joined by an orchestra of strings and go post apocalyptic. The last flamenco at the end of time? Quite possibly.

'Hoodoo'
Certainly this album's 'Unintended', genetically spliced into a Mexican western, it's Zorro without any of the doughnuts. Crashing down by the end, it's understated, but really bloody good.

'Knights Of Cydonia'
At one point, Knights Of Cydonia reminds DIY of Erasure. Not for long mind, as monk like chanting and a falsetto that could deafen a dog at the other end of the earth kick in. Backed by a brass section and what sounds like a whole choir of battery opperated Clangers, it's the first ever space western. A shootout at high noon between R2D2 and the Milkybar Kid, before the end it all cuts out and Muse go more Queen than ever before. An AC/DC sized riff arrives and the world promptly ends. Blimey!


'Black Holes And Revelations' is certainly an album, rather than a collection of songs. On the first listen it sounds impressive, but it'll take more than one to work out exactly how good it is. The biggest thing Muse have done to date, they're hiding from nobody. The signs look more than promising.



Lo importante no es que deje el álbum por las nubes, sino que, con tanta crítica, EL DISCO DEBE ESTAR YA AL CAER. :_D

[elka]

uf, leer tanto sobre cómo serán los temas es duro eh. A ver si es verdad que está al caer porque estos entremeses hacen que aumenten las ganas del disco al completo.

[molul]

Bueno bueno, me sorprendo a mí mismo diciendo esto pero: waitin' for the leak ^^

[evilchicken]

'Knights Of Cydonia'
At one point, Knights Of Cydonia reminds DIY of Erasure. Not for long mind, as monk like chanting and a falsetto that could deafen a dog at the other end of the earth kick in. Backed by a brass section and what sounds like a whole choir of battery opperated Clangers, it's the first ever space western. A shootout at high noon between R2D2 and the Milkybar Kid, before the end it all cuts out and Muse go more Queen than ever before. An AC/DC sized riff arrives and the world promptly ends. Blimey!

Pues yo cada vez que la escucho me parece más powermetalera, me remonta a mi época heavy que creía olvidada